The Last German Soldier

The summary of the story begins with a question: Is it robust to think of the human race, where even a historical siren adds to the story line that continues, dramatically end to a rudimentary answer? The condition of the subject matter depicts the deplorable history of the rubric that may be retained as a design referencing the reconnoiter of nodus, as it generates into maleficent entity, and so being a manifestation of malefaction.

Yet the question, Is it right to think of the human race in it becoming matter would entail function in proper form, and is the answer to the malevolent malady engrossing human sense? The thinker starts at this point of the hyperbolic vanquishing dilapidation, depicting view. The dimension of an insisting dilemma maintains its character in the reciprocal irony of the question where disjunctive, disobliging dictum serves to be the discovery of discontinuance. The firm time of discouraging generation of atmosphere, disregarding, as it is, in the maintaining of dissemblance, the vision of illusion is the dispensation and the general condition causing dismay in its metaphoric disguise footage.

The application of metaphor to melancholy may be a multifacet metamorphosis that the thinker was urged to entail in his processing and be the matter comprising the battering atmosphere of time, which stood out as an entity before the thought of destiny.

Playing its part, the fury of a blizzard suddenly came to visit the person in thought, as he was walking in the blinding storm. The thought of spiritualism was dominating in existence, yet so distant in comprehension, where the function, the bread of life in its completeness, becomes an outcast—as is, of course, in the story, the functioning alluding to surrealism the placement in tandem measure the human kind in predicable preparation.

The modality is suggesting that the fury entailing mannerism is the view, as is the blizzard the method in the incorporation maintaining the material of confusion surrounding the person.

-- Matthew Stefan Grzelak