Concise writing is a skill that takes time and practice, but it’s worthwhile because it means your finished book will be much better. Why? Because concise writing is easier to read. Also, readers can quickly spot a book written by an amateur. It may sound as easy as cutting words to get to a lower word count, but conciseness is about much more than length. It’s a style and ability to set your work apart. So, just how do you tighten your writing for conciseness? Read on for 11 tips you can implement today.

Cut unnecessary words

Yes, this is the most obvious suggestion for tightening your writing. Cutting unnecessary words, or employing brevity, will instantly produce tighter copy. Take a look at a sentence and ask yourself:

• “Is there a shorter way to say this?”
• “Is every word here necessary?”
• “If I remove or change a word, is the meaning still the same?”

Often, there’s a shorter way to say the same thing. For instance, “she nodded her head,” can be tightened to “she nodded.” The head is implied (Do you nod anything aside from your head?). Keep the following mantra in mind: Less is more. Aim to write less and say more at the same time. It sounds contradictory, but strong writing will follow this approach.

Avoid jargon

Knowledge of your audience and language is essential. Jargon, or overly technical vocabulary, might cause a reader to put a book down. Don’t be tempted by the power of thesaurus to throw in complicated words. The average novel is written between a 7th and 9th-grade reading level.

Simpler is better

You’ve heard the acronym KISS: Keep It Simple, Stupid. When in doubt, simpler is better for word choice, sentence length, etc. Why write “utilize” when you can say “use” (Hint: Did you know there’s a Microsoft Word tool that gives you statistics about your document, including average sentence length and reading level?)

Write in active voice

There are two main voices in writing: Active and Passive. You want to write in an active voice because it is considered stronger and more direct. An easy way to check your active voice is to ensure the subject is acting. You can recognize it by thinking, “Who did what to whom?” Here’s an example:

Active: The teacher passed out the exam.
Passive: The exam was passed out by the teacher.

See the difference? It’s a minor tweak but has a major impact on your writing. Many writing softwares can scan a document for passive voice, which is a great chance to catch it.

Check your adjectives and adverbs

Writers love adjectives and adverbs because they help describe your subject or setting. It’s fun to see how descriptive you can be, but all the exposition can get a little wordy. Try to cut a few qualifiers here and there to see if your description is still evident but in a more concise way. Adverbs are often unnecessary, and a stronger verb gets the same point across. Instead of “he ran quickly,” you could say “he dashed” or “he sprinted,” which implies quick running.

Remove unnecessary punctuation

If you’re a word person, chances are you love extra punctuation, such as colons, semi-colons, and dashes. However, setting a clause off with punctuation only increases the sentence length when it might have been possible to cut the sentence length or eliminate the clause. Re-read the passage to see if it’s necessary or if you can insert a period instead.

Remove “start to”

Did your character “start to stand,” or did she just “stand”? Did he “start to stir the pasta,” or did he just “stir” it? In most instances, “start to” is unnecessary and can be removed.

Do you really need “really”?

She’s really pretty. He’s very tired. Try replacing “really” and “very” with a stronger verb. Eliminating a descriptive word will greatly help brevity.

Use contractions for flow

Fiction writing should be natural, like how a person would speak. Contractions are more conversational and help with the overall flow. For example, instead of “I cannot come tomorrow,” say “I can’t come tomorrow.”

Cut a few dialogue tags

He said, she said. Yes, readers need to know who is speaking in a scene, but only some dialogue tags are necessary. When characters go back and forth in conversation, you don’t need to include their names each time. Once every couple of lines makes the scene flow easier and helps tighten the writing. However, it’s important to use tags when a new character enters the conversation or if there’s a big gap, such as internal thought or description.

“That” is a problem (sometimes)

We use the word “that” a lot because we believe it gives more specificity. In reality, many sentences can stand alone without it. Read the sentence and remove “that” — does it still make sense? Here’s an example:

Sara thought that the play was boring.

Sara thought the play was boring.

Now you have a better idea of writing concisely and how to achieve it. So, get your manuscript out and start revising! The finished product will be better for it.

Ya ha visto estos números antes, ya sea en la contraportada junto al código de barras o en la página de copyright. ¿Pero sabe lo que significan realmente los números ISBN? Y lo que es más importante, ¿por qué debería importarle a usted, como autor? Veamos de cerca los números ISBN y respondamos a algunas de las preguntas más frecuentes.

El ISBN (International Standard Book Number) es un número único de 13 dígitos que se utiliza para identificar los libros publicados. Hasta 2007, los números ISBN tenían sólo 10 dígitos, pero con la explosión de la autopublicación, ahora se amplían a 13. Esta cadena de dígitos no es una simple combinación aleatoria: cada ISBN sigue una fórmula establecida para simplificar la identificación y catalogar los libros en las bases de datos. Pero, ¿qué significa? Así es como se descompone un ISBN típico:

• Prefijo: Es 978 o 979 y es el código para “libros”, lo que significa que este conjunto de números se refiere a un ISBN.
• Idioma/Grupo de registro: Los libros escritos en inglés se identifican con un “0” o un “1”. Los libros traducidos del inglés a otro idioma necesitarán un ISBN aparte.
• Editorial: Cada editor tiene su propio código. Puede encontrar o buscar números de editorial a través del Registro Mundial de Editores.
• Información de publicación: Los seis dígitos siguientes representan el título, la edición y el formato del libro.
• Dígito de control: El último dígito, que se calcula matemáticamente para validar el ISBN. Suele ser “0” o “1”.

Los números ISBN son necesarios para todos los libros físicos si quiere que su libro se venda en tiendas físicas o esté disponible en bibliotecas. Las librerías no aceptarán libros sin poder procesarlos en sus sistemas, y eso requiere un ISBN registrado. La buena noticia es que una vez que tiene un ISBN, puede utilizarlo internacionalmente y nunca caduca. Sin embargo, no puede reutilizarse, lo que significa que una vez que asigna un ISBN a un libro, no puede volver atrás y cambiar de opinión.

¿Cómo se consigue un ISBN? Los autores pueden conseguir un ISBN para sus obras de dos maneras.

1. Proporcionado por el editor o la plataforma. A los autores publicados tradicionalmente y a los que trabajan con editoriales híbridas y pequeñas editoriales se les debe asignar un ISBN, que la editorial adquiere en nombre del autor. Muchas plataformas de autopublicación, como Amazon KDP y Draft2Digital, ofrecen ISBN gratuitos. Una advertencia sobre el ISBN gratuito de Amazon es que, en ese caso, se le pedirá que incluya a Amazon como editor.
2. Adquirir su propio ISBN. Algunos autores independientes prefieren comprar sus propios ISBN a través de Bowker(MyIdentifiers.com). Poseer su propio ISBN significa que puede publicar “a lo ancho” en lugar de exclusivamente con Amazon. Sin embargo, los ISBN no son baratos: un solo ISBN de Bowker cuesta 125 dólares. Para los autores que tengan previsto escribir más de un libro, la mejor oferta es adquirir un paquete de 10 ISBN por 295 dólares. Como no caducan, puedes guardarlos para utilizarlos en futuros proyectos.

Como ya se ha dicho, los ISBN son necesarios para los libros físicos, pero los autores también deben recordar que necesitan un código distinto para cada versión de su libro, ya sea en rústica, en tapa dura, en traducciones a distintos idiomas, en letra grande, etc.

Ya tiene su ISBN y lo ha asignado a un libro: ¡genial! Pero, ¿y si algo cambia? (¡Porque siempre hay cambios en la edición!). A veces se actualizan las portadas por motivos de marca o se cambian los precios en promociones y rebajas. ¿Significa eso que necesita un nuevo ISBN? No. Afortunadamente, pequeños cambios como esos están bien. Sin embargo, hay algunos casos en los que se necesita un nuevo ISBN (que es donde resulta útil comprar el juego de ISBN al por mayor):

1. Cualquier nueva versión o variación del libro. Esto incluiría la publicación de una edición de letra grande, lenguas extranjeras y libros de bolsillo frente a los de tapa dura.
2. Material adicional añadido. Las pequeñas correcciones gramaticales están bien, pero si se añaden nuevos capítulos, el libro necesita un nuevo ISBN y puede considerarse una segunda edición.
3. Actualizaciones de formato. Esto incluiría cambios en la encuadernación, o si el libro se reedita en otro tamaño de corte. Por ejemplo, libro de bolsillo frente a libro de bolsillo para el mercado de masas.

Preguntas frecuentes sobre los ISBN

¿Proporciona mi ISBN derechos de autor para el libro?

No. Los números ISBN son completamente distintos de los de los derechos de autor y las marcas registradas, y se utilizan únicamente con fines de clasificación e identificación. Los autores son propietarios de los derechos de autor de su obra hasta que venden los derechos a una editorial. A partir de ahí, los derechos de autor son administrados por la Biblioteca del Congreso.

¿Es lo mismo un ISBN que un ASIN?

No. Los ASIN (Amazon Standard Identification Numbers) son utilizados exclusivamente por Amazon. Estos números de 10 dígitos son alfanuméricos y ayudan a Amazon a gestionar los productos vendidos en su plataforma. Por otro lado, los ISBN son el número universal para identificar un libro. Los libros vendidos en Amazon tendrán ambas cosas. Pero no es necesario incluir los números ASIN en la portada. Recuerde que si quiere vender sus libros en tiendas físicas, necesitará un ISBN, no un ASIN.

¿Es lo mismo un ISBN que un código de barras?

No. Estas dos cosas suelen aparecer juntas en la portada de un libro, pero no son lo mismo. El código de barras es el conjunto de líneas verticales que se utilizan para escanear el artículo en el sistema del punto de venta. Incluye información adicional, como el precio y la moneda en que se vende el libro. Juntos, el ISBN y el código de barras contienen toda la identificación del libro. Los autores autopublicados pueden comprar códigos de barras al mismo tiempo que sus ISBN en Bowker, mientras que otros optarán por un código de barras gratuito de su plataforma de autopublicación, o recibirán uno de su editor.

Lo más importante:

Entender qué es un ISBN y cómo se utiliza es importante para todos los autores, sea cual sea su trayectoria editorial. Sin embargo, es posible que los autores de autopublicaciones necesiten estar aún más informados y concienciados sobre su uso, mientras que los autores con una editorial híbrida pueden tachar una cosa más de su lista de tareas pendientes.

You’ve seen these numbers before, whether on the back cover by the barcode or on the copyright page. But do you know what ISBN numbers really mean? And more importantly, why should you, as an author, care? Let’s take a close look at ISBN numbers and answer some of the most frequently asked questions.

An ISBN, or International Standard Book Number, is a unique, 13-digit number that’s used to identify published books. Until 2007, ISBN numbers were only 10 digits, but with the explosion of self-publishing, they’re now extended to 13. This string of digits isn’t just a random combination—each ISBN follows a set formula for simplifying identification and cataloging books in databases. But what does it mean? Here’s how a typical ISBN breaks down:

• Prefix: This is either 978 or 979 and is the code for “books,” signifying that this set of numbers refers to an ISBN.
• Language/Registration Group: Books written in English are identified with either a “0” or “1.” Books translated from English to another language will require a separate ISBN.
• Publisher: Each publisher has its own code. You can find or search for publisher numbers through the Global Register of Publishers.
• Publication Info: The next six digits represent the book’s title, edition, and format.
• Check Digit: The last digit, which is mathematically calculated to validate the ISBN. It is often “0” or “1.”

ISBN numbers are required for all physical books if you want your book to be sold in brick-and-mortar stores or available in libraries. Booksellers will not accept books without being able to process them in their systems, and that requires a registered ISBN. The good news is that once you have an ISBN, it can be used internationally and it never expires. However, it cannot be reused, meaning that once you assign an ISBN to a book, you can’t go back and change your mind.

So how do you get an ISBN? There are two ways authors can secure an ISBN for their work.

1. Provided by publisher or platform. Traditionally-published authors and authors who work with hybrid and small presses should be assigned an ISBN, which the publisher purchases on the author’s behalf. Many self-publishing platforms, such as Amazon KDP and Draft2Digital, offer free ISBNs. One caveat to Amazon’s free ISBN is that you will then be required to list Amazon as the publisher.
2. Purchasing your own ISBN. Some independent authors prefer to purchase their own ISBNs through Bowker (MyIdentifiers.com). Owning your own ISBN means that you can publish “wide” rather than exclusively with Amazon. However, ISBNs aren’t cheap—a single ISBN from Bowker costs $125. For authors planning to write more than one book, the best deal is to purchase a bulk package of 10 ISBNs for $295. Since they don’t expire, you can hold onto them for use on future projects.

As mentioned, ISBNs are needed for physical books, but authors should also remember that they need a different code for each version of their book, including paperback, hardback, different language translations, large print, etc.

So, you’ve got your ISBN and assigned it to a book—great! But, what if something changes? (Because there are always changes in publishing!). Covers are sometimes updated for branding purposes, or prices are changed for promotions and sales. Does that mean you need a new ISBN? No. Thankfully, small changes like those are okay. However, there are a few instances where a new ISBN is needed (which is where purchasing the bulk set of ISBNs comes in handy):

1. Any new version or variation of the book. This would include publishing a large print edition, foreign languages, and paperback vs. hardback.
2. Additional material added. Small grammatical edits are fine, but if you add new chapters, the book now needs a new ISBN and may be considered a second edition.
3. Formatting updates. This would include changes to the binding, or if the book is re-published in another trim size. For instance, paperback vs. mass market paperback.

Common questions about ISBNs

Does my ISBN provide a copyright for the book?

No. ISBN numbers are completely different from copyright and trademarks and are used for classification and identification purposes only. Authors own the copyright to their work if/until they sell rights to a publisher. From there, copyrights are administered by the Library of Congress.

Is an ISBN the same thing as an ASIN?

No. ASINs (Amazon Standard Identification Numbers) are used by Amazon exclusively. These 10-digit numbers are alphanumeric and help Amazon manage products sold on its platform. On the other hand, ISBNs are the universal number for identifying a book. Books sold on Amazon will have both. But ASIN numbers are not necessary to include on the cover. Remember, if you want to sell your books in physical stores, you will need an ISBN, not an ASIN.

Is an ISBN the same thing as a barcode?

No. These two things are often placed together on a book’s cover, but they’re not the same. The barcode is the set of vertical lines used for scanning the item into the point-of-sale system. It includes additional information, including the price and currency in which the book is being sold. Together, the ISBN and barcode hold all the identification of the book. Self-published authors can purchase barcodes at the same time as their ISBNs from Bowker, whereas others will opt for a free barcode from their self-publishing platform, or be given one from their publisher.

Key Takeaway:

Understanding what an ISBN is and how it’s used is important for all authors regardless of publishing path. However, self-publishing authors may need to be even more informed and aware of their use, whereas authors with a hybrid publisher can cross off one additional thing from their to-do list.

Publishing Paths Explained

You want to write a book. Or, you’ve already written a book (yay!). One of the most important things you need to decide is what publishing path is right for you. Here, we’ll break down three of the most common routes to publishing, including pros and cons, so you can make an educated choice based on your personal needs and wants.

1. Traditional Publishing

What most people think of when it comes to book publishing, this path is the oldest and most established. Some familiar names in this category are known as the Big Four publishing houses: Penguin Random House (which recently acquired Simon & Schuster), HarperCollins, Hachette, and Macmillan, each with their own imprints for various genres.

Traditional publishers work on an advance pay system, meaning that they take on all the financial risk up front, and pay the author an advance (lump sum) to buy rights to the book. An author will make royalties on each sale only after they earn out their advance.

Unlike generations ago when authors could reach out to publishers directly, traditional publishing today requires a literary agent. The agent works on behalf of the author to secure a publishing deal, and in turn, takes a cut of the sale (typically 15 percent). This middleman is an important and necessary step in the traditional publishing path—but it’s not as easy as it sounds. Literary agents get pitched thousands of books a year from authors seeking representation, and only a small fraction are actually signed.

Similarly to the Big Four, many small presses work within the same traditional model. The difference here comes down to budget: Most small presses don’t offer an advance. However, the upside is that many will accept queries directly from authors, without the need for a literary agent.

Pros of traditional publishing:

• Best distribution for your printed book. If you want your printed book in bookstores, it is more likely with traditional publishing.
• Possibility for additional opportunities, including foreign rights, film options, and licensing deals.
• More media attention. You’ll have a better chance for coverage, visibility, and reviews.

Cons of traditional publishing:

• Loss of control. When you sign a deal with a publisher, you give up your rights to the book, in turn allowing the publisher to make final decisions on things such as cover design, title, and more.
• Slow timeline. Traditional publishing is notoriously slow, meaning you could wait years before your book even comes out.
• Difficulty in securing an agent. Before you can even think about working with a publisher, you must achieve step 1, which is to sign with an agent. In today’s crowded landscape, this is becoming harder and harder.

2. Hybrid Publishing

An emerging path, hybrid publishing is also known as “assisted publishing,” wherein authors pay a company to help them publish their book. Authors fund the entirety of publishing in exchange for the expertise of the publisher. This model works for people who have a budget, and who aren’t interested in the business of self-publishing.

There are a variety of hybrid publishers, some of which have better track records than others. One thing authors should consider is whether the publisher has a vetting process or manuscript evaluation. This will differentiate a true hybrid (which carefully reviews books) from a vanity publisher (which will publish anything regardless of quality).

Pros of Hybrid Publishing:

• A higher guarantee to get your book published. There’s no extra hurdles to jump through in terms of securing a literary agent. Once your contract is signed, you’re set. Plus, it’s a shorter timeline than traditional publishing.
• More control. You have more input into the editing, design, and book title.
• Less stress. You’re essentially paying for all things to be taken care of in terms of formatting, design, and production.
• Higher royalty percentage than traditional publishing.

Cons of Hybrid Publishing:

• Less likely for printed books to be in brick-and-mortar stores. Most hybrids publish with Amazon, while some work with several eBook providers and a few have agreements with large distributors, such as Ingram.
• Less media attention. While there are marketing packages, many authors will be expected to do a lot of the promotion themselves.
• Requires investment from the author.

3. Independent / Self-Publishing

Unlike decades ago when your only hope of publishing a book was at the mercy of a publisher, the internet has changed the game, allowing authors to publish themselves. Self-publishing, or “indie publishing” refers to authors who manage all parts of the publishing process, from editing to design and even distribution. Some authors have experience in these facets, while others will hire out services such as formatting or cover design. Still, when it comes to publishing the book, the author remains in full control.

Some of the most common platforms for indie publishers include Amazon KDP, Nook Press, Kobo, Apple Books, and Google Books. Authors have direct access to publishing tools and print-on-demand services, making it feasible to set up physical and eBooks on their own.

Pros of Self-Publishing:

• Full control. As an indie author, you make all the decisions when it comes to your book, from artistic choices like cover design and title, to business decisions like when to release, pricing, where/how to market, budget and more.
• Little upfront cost. Most platforms are completely free to set up and publish a book. The money factor comes into play for marketing and promotion, or if you need to hire experts for services.
• Highest royalties.

Cons of Self-Publishing:

• You’re in charge of everything. While total control is appealing in some aspects, it can also be overwhelming.
• Distribution is difficult. It’s hard to get self-published books into bookstores or libraries.
• Less mainstream media attention, including coverage and reviews. It’s up to the author to market the book (or hire a publicist).
• Easy to rush. With publishing a click away, it’s tempting to want to rush the process. But indie authors should take the time to produce a professional, quality book with a strong marketing plan in order to increase their chances of success.